PROGRAMMES FROM PREVIOUS YEARS ARE ARCHIVED HERE
Tuesday 18 February
Annual General Meeting
Plus pitches for new films, scripts and events e.g An Experiment Day, A Four Films in a Day Shoot etc., plus proposals for visits.
Sunday 1st March
CEMRIAC Seminar at Worcester
Tuesday 3rd March
Sound Post Production
Sound designer Alan Deacon. Including examples of dialogue editing and processing, sound design for film and mixing the final soundtrack
Meetings start at 7.30pm and finish around 10.00pm
Due to professional commitments, visiting speakers may need to change dates. Please check before travelling long distances
Tuesday 7 January, 7.30pm
Bird Watching and the making of Fellas
A brief presentation on the possibilities of wildlife filming and a proposal for a BFVS visit to Slimbridge.
The making of Fellas
Following on the filming of birds theme, we will see 'Fellas' and the director, animator, composer will tell us how he made it. There will also be a live demonstration of computer animation."
Tuesday 21 January
The SOCO Competition
We screen the films from the SOCO competition and have our own vote on who should have won? Discussion about the films. What can we learn from other filmmaker's productions.
Wednesday 29 January
BFVS Filmmaking in Bristol participation in Bluescreen at the Cube Cinema
It is an 'open mike' event where you just turn up with your film (please check rules) and it is shown on a proper cinema screen. https://cubecinema.com/id/10824/
Tuesday 4 February
Green Screen - Post Production
You have shot some green screen footage, but what do you do next?
Hopefully we can discuss lighting and perspective. PLUS as a special extra “syncing multiple cameras” in post production.
17th March Competition Evening
Postponed until 21st April
Wednesday 25th March 7:30 pm Cancelled due to the 2-week closure of the Cube Cinema.
BFVS Filmmaking in Bristol participation in Bluescreen at the Cube Cinema
It is an 'open mike' event where you just turn up with your film (please check rules) and it is shown on a proper cinema screen. bluescreenfilms.weebly.com
DIY Film School
A presentation on the DIY film School, a new organisation in Bristol
Details on the Competitions web-page
(any subject, max 10 minutes)
Download entry form HERE
April 21st - Competition Evening
Quiz – Zoom Meeting
A fun quiz on the subject of film.
Making Films Under Difficult Circumstances – Zoom Meeting
The making of 'God Send, The Epic Quest' and '2001 Parody'
Previsualisation - Zoom Meeting
The crew gets hungry, the actors get iffy, and the batteries run low: time on a film set is precious. To keep everyone's morale and the artistic vision alive, a well thought pre-production is key. One of the most powerful tools a director got to communicate her/his ideas is to hand out pictures and animatics.
Vincent Leppert, Filmmaker and Architect will talk about different approaches, tricks and experiences in the Previsualisation of films. Starting from easy model mock ups to advanced 3D-Software.
Matt Harris-Freeth - Zoom Meeting
We welcome Matt Harris-Freeth.
Matt is a multi-award winning and BAFTA long-listed writer director, working in films, commercials and music videos. From divorce and spaceships to violent relationships and monsters, Matt’s passion is for inventive, smart genre films.
His early music videos positioned at the top of the MTV2 charts and were included in MTV2's Best Videos of the Year. His shorts have played at prestigious Oscar and BAFTA qualifying festivals worldwide and he won Best Short at the Royal Television Society West Awards in both 2016 and 2017.
His short screenplays have also been selected for international competitions, picking up a number of awards including Best Short Screenplay at Cinequest 2019.
Matt is currently working on his next short film and developing features, BLOOD BIKE and, in collaboration with writer Matt Redd (Ffilm Cymru supported 'The Toll'), CUTTHROAT - a period thriller pitched as 'Reservoir Dogs with Pirates'.
Matt has been selected for Creative England's iShort's scheme and South West Talent Lab and is also a 2017 BFI NETWORK Weekender alumni.
Animation: John Howden – The Quiet Boffin
(computer animation and CGI)
We review the amazing animation and
CGI work of the late Doctor John Howden.
JUDGED IN ADVANCE by a professional filmmaker this competition is the BIG one.
Eagerly fought for every year since 1965.
Rules and Entry Form HERE
The RAY BUCKLAND CUP for Best Composition and The DON SMITH TROPHY for Best Narration and/or Spoken Word can also be awarded.
55th Annual Trophy Competition
No limit in duration
This can be a group or individual effort
ANNUAL TROPHY and certificate for the winner
THE BURRIS CUP for the entry placed second.
CLICK to download printed programme
In 2005 John wrote an article explaining his first steps in computer animation using Blender software.
Read his article HERE.
Filming Minatures / Models
Filming small things that look big.
A general discussion on any subjects members are interested in.
July 7th, 7.30pm
Mark Harrison and Mihai Anghel - Zoom Meeting
Time to Move On –
The Role of Editing in Telling the Story
At our next virtual meeting on 7th July we will be looking at the perfect cut, figuring out how through clever editing you can tell your story efficiently and effectively and create the emotional cues to make your film special. The evening will be in two parts.
We will start with Mark Harrison tapping into the expertise of a giant in film editing (clearly not himself but Walter Murch famed editor of films like Apocalypse Now and The Godfather Part II and Part III) and the second part of the evening will be a practical look by Mihai Anghel at the way a scene can be edited in different ways to tell a story completely differently.
The 10 Rules of Film Editing (and WHY and WHEN you can break them!) with Mark Harrison
A compulsory read in his recent MA in Film Documentary Production at UWE, was In the Blink of the An Eye by Walter Murch. The insights of Murch have influenced film makers all over the World. George Lucas said of his book that it is “a must for anyone who is interested in truly understanding the film making process”.
To save you buying and reading Murch’s book (£9.25 on Amazon by the way!) and other key reads like ‘The Art of the Cut’ by Greg Keast, Mark will be looking at their ideas on why cuts work or fail. Sharing a range of best practice examples from feature films, Mark will explore Murch’s seminal Rule of Six for the perfect cut.
But rules are to be broken and so Mark will also show how film makers have at times deliberately broken those rules to great effect!
AND AFTER THE BREAK…
Controlling the feel of a scene through editing with Mihai Anghel (recent winner in the BFVS Spring 2020 competition).
Mihai will take a practical look at how different cuts and colours impact the feeling a scene sends to the viewer.
Using mainstream films and a live demonstration, Mihai will show how different edits can create alternative outcomes to a scene and very different feelings for the viewer. The emphasis will be on both the points where cuts are made and the alternate methods of scene manipulation through the use of colour correction and audio.
The Making Of 'Apollo 13 Lockdown'
The making of a great Sci Fi film in lockdown. A huge amount to learn about what you can do with ultra limited resources.
Guest Speaker - Pete Mason, animator - Zoom meeting
Pete is a self-taught amateur filmmaker, making films for the last 15 years with a focus on animation. He predominantly does traditional 3D stop motion, and also dabbles with 2D and cutout animation.
He will be talking to us about his personal filmmaking journey from webcam films to getting selections for film festivals, the development of his ideas to films, and the craft side of making animation, equipment, sets, props, characters and developing an aesthetic.
Two examples of his work can be watched here:
Used creatively or as a "get out of jail" card, masking is one of the most versatile functions in the filmmaker's toolbox.
Whether your greenscreen efforts have been a disappointment.
You need to remove an offending item from your footage.
You wish to use "matte paintings" or photographs to make a grand statement.
You want to give life to a still photograph,
or just create fancy titles.
For those unacquainted with it, understanding one basic principle, is all that separates you from your new "best friend".
July 21st, 7.30pm
Tim Braithwaite - Zoom Meeting
Declan Smith - Zoom meeting
Resolve - The art of DaVinci
Many people find that post production can be like black magic, but with BlackMagic, you’ll like post production!
Introducing, DaVinci Resolve by Blackmagic design.
Did you know that Davinci Resolve is free? You get a 4K (UHD) editing system with media management, colour grading, sound editing and visual effects compositing all for price of FREE !!! There’s also a paid version, for higher resolutions and extra bonus features, but the entry point is Free.
In this beginners introduction to Davinci Resolve we shall enter the magic circle and unlock the magic of this incredible suite of tools, covering the following:
• Introduction to Davinci Resolve
• What are the requirements for Mac / PC
• How does it differ from other NLE packages, the basics
• Practical walk-through - editing together a simple project
• Compound & Multi-camera clips
• Syncing separately recorded sound
• Making it look nice with colour grading
• Making it sound good with Fairlight
• A little bit of visual effects
• Delivering the final project
Did I mention that it’s free? What, no subscription model? What do you mean it works on Mac, Windows and Linux? Can’t be that good, can it? Well it’s good enough for some films you may have seen doing the local circuit like Star Wars, X-Men, Pirates of the Caribbean, Avatar, to name but a few and also regional TV series like The Big Bang Theory and Game of Thrones, but it’s biggest accolade must be the award winning Bristol made film, MERCS (now on Amazon Prime).