We are saddened to hear that David Wilkins has died.
SUCCESS AT THE TEIGN CUP COMPETITION
We won first prize with 'Why is America called America?' and came 3rd with 'Count to Three'.
There were 16 films altogether.
Here are the judges comments on each of the three we entered…
Sue Cockwell receiving the winners cup for ‘Why is America called America?' from Teign Chairman, Ivan Andrews.
Graham Egarr receiving the 3rd place plaque for 'Count to Three'
Chairman, Ivan Andrews.
As part of Bristol Open Doors Day on Saturday 15 September a range of films was shown in the Create Centre cinema at Cumberland Basin.
They embraced engineering, city planning, social history and the city docks.
121 attended, a good turnout considering the city was awash with other free events, 120 in all, as part of the free festival.
BFVS films screened were: Bristol Revisited, Grand Central Station, Unshut the New Cut, Time & Tide, Unlocking the Gt Britain, Scrapbook 1963 and Bristol Downs - From Dinosaurs to Massive Attack.
There were short films from the Institution of Civil Engineers and from Bristol Archives, which occupies the building. Gordon Young showed It Could Have Been So Different, A View of The Bridge and Through Ticket to New York.
Certainly, it is good to show films to a wider audience and not just within the confines of the clubhouse. There will be another opportunity for members at next year's festival where the show may take a less formal form and have continuous films running for a "drop-in at any time" audience.
53rd ANNUAL TROPHY COMPETITION
Nick Shipley presents the Annual Trophy to Dhiman Saha’s wife and small daughter.
Dhiman wins the competition with his film, Respected Mother
Runner-up this year was Mark Harrison with his film, The Drop.
Frank Bond was awarded a special Best Local Documentary for his film, Strong to Save
More details on our Competition winners’ page
Photographs by Bob Bennett
HANDS ON FILMMAKING - SHOOTING A SHORT FILM
On Tuesday 21 August we gathered together to shoot a short film in and around the club room. It was directed by Vincent Leppert based on his screenplay from a story by Somerset S. Graham. Seventeen members took part and one guest actor.
Every person had a role behind the camera as well as acting as
Details and lots of photographs HERE
We entered 5 films into these Competitions and have received the results :-
'Why is America called America' received 3rd place
'In Pursuit of Flowers' received 7th place
'Fang Club for Stakeholders' was not placed.
‘Twinkle Twinkle’ and ‘Count to Three’ where Highly Commended.
SOCO REGIONAL and DOLPHIN COMPETITIONS
Here are the judge's comments:-
On 17th July 21 people took part in the BFVS Filmmaking in Bristol 180 Minute Challenge. This is the shooting, editing and showing of a short drama film in one evening.
180 MINUTES CHALLENGE
TWO FILMS FOR THE NEW ROOM
In July 2017 Bristol's Grade One listed New Room, dating from 1739, the oldest Methodist building in the world, opened its multi million pound three storey extension.
Earlier this year the club was approached by David Worthington, director of The New Room to ask if, with some urgency, we could produce a film for them to promote a new interactive museum which has been created within twelve rooms above John Wesley's Chapel. The museum tells the story of John and Charles Wesley, eighteenth-century Methodism and its relevance today.
With a tight deadline of early summer I undertook to make the film and, with assistance from Gordon Young, filming began in April.
Within a week or so of the first filming session David asked if any of the footage could be made into a short, attention grabbing film showing every aspect of the building. This would be used in connection with The Grand Appeal's Gromit Unleashed 2 Trail which was starting on July 2nd to raise money for Bristol Royal Hospital for Children.
That film was turned around in two weeks and can now be viewed on mobile devices until September 2nd via the downloadable Gromit Unleashed app at Gromit and Feathers McGraw giant sculptures located near to The New Room in Bristol's Broadmead area.
The original museum film has also now been completed and will play as a five minute continuous 'loop' to be seen by The New Room's many visitors from all over the world.
It has been a busy couple of months with two films being shot, edited and delivered on time: very rewarding though when you are working on something worthwhile for very appreciative people.
Tuesday 5 June
ANNUAL MINI EPIC CHALLENGE
Three groups shot different parts of a whole story about a hostage situation. One group shot the hostage situation, another the police response and the third the press coverage. These will be edited together in different ways to either produce a combined story or three separate ones.
This is a new competition for documentaries of up to 12 minutes. We entered, Why is America called America? and it won first prize (an engraved glass trophy and £50)
Read judge’s comments HERE
NEW LAMPS FOR OLD
In an effort to drag this website into the 21st Century your webmaster was charged with the task of updating the sites’ logo. “Lose the tungsten lamp Mike, and give us a swanky new LED one.”
So, Bob Bennett took a photograph of one, copied it and, with a little help from Photoshop, created an ON and OFF version. These two photographs then had to be Declanised.
What is Declanisation?
Declanisation is what happens when you let Declan Smith loose on a project. He animated Bob’s pictures and created what you see here. As a bonus he made it transparent which means your webmaster can put it anywhere that takes his fancy…
The Quickie Competition.
The Thalia Goblet was won by Bob Bennett for,
The War to End All Wars
The Ten Minute Trophy.
Dominic Whitehead was the clear winner this year with his film,
Vincent Leppertr was placed second and is awarded the Ivor Wiltshire Memorial Trophy with, Peer Pressure
Photographs of the winners and their awards can be seen HERE
Merlin Goldman gave us a brilliant, concise insight into the criteria for writing a good screenplay, summarised in this Powerpoint presentation…
AN INTRODUCTION TO
FROME FIVE MINUTE FESTIVAL
Our film, Bless came 3rd in the comedy section and congratulations to Malcolm Stevens as his film The Briny and the Brecons came 1st in the travelogue section.
THE 51st GLOUCESTER INTER-CLUB FILM COMPETITION
WE WIN both The Ray Toleman Memorial Trophy and the Vale Sound Trophy with, ‘Don’t Call Me Baby’.
2nd - 'One Take - no Edits' from Tewkesbury YMCA Movie Makers.
3rd - 'A Day with the Waverley' from Gloucester Film Makers.
Sue Cockwell writes…
It was an interesting and entertaining evening showing a variety range of talents of the clubs. Sadly it was announced that Cheltenham Videomakers has closed due to Ken White retiring after 65 years of service to the club.
Read Judge’s comments HERE
STAR TREATMENT FOR THE CLUB AND ITS MEMBERS IN THE
IAC BRITISH INTERNATIONAL AMATEUR FILM COMPETITION 2018
We entered, Don’t Call me Baby. It was awarded 3 stars.
Gordon Young entered two films, John Ruskin, Strange Genius and,
Past Historic, Future Perfect. Julian Baldwin entered The New Wheel. All three were awarded 4 stars.
Bob Bennett entered two films, Just another Summer Day was awarded 4 stars and The War to end all Wars got three.
Read the judges comments…
FIRST SHOWING OF NINE COMPLETELY NEW FILMS MADE BY MEMBERS
Bob Bennett writes…’BFVS members have been rather busy and to prove it, nine different films were screened for the first time to a packed clubroom.
The second half of the evening was taken up with the premiere of the latest club production, shot in September last year at various historic locations including Bristol's Harbourside and St Mary Redcliffe Church. 'Why is America called America?' is an investigation into the naming of a Continent and has now been uploaded to both You Tube and Vimeo.’
A black comedy, 'Count to Three', was shot on one very hot night last August.
Five versions of a Vampire themed story, filmed in January, were compiled by five different editors from the same master footage.
The first half concluded with two new films shot last summer and inspired by the clubs 1978 production 'Pursuit'.
REMEMBER THIS FROM LAST YEAR WHEN WE HELPED DIANA WITH HER COFFEE FILM?
Declan has helped me to finish the film and I have just had an e mail from a prestigious online magazine in Philadelphia USA Pythians saying they will
publish it with some other short films I have done.
So thank you to the club for doing the green screen
Bristol Archives now holds over one thousand reels of film, including the club's entire film archive dating back to 1935.
Former City Archivist Julian Warren gave an illustrated talk to a full house at Harbourside's M Shed using extracts from the Bristol Archives film collection to illustrate the variety of Bristol-related subjects now held there.
Amongst these were three club films, The 1935 production 'Bristol Celebrations', the unveiling of a plaque on the birthplace of cinematography pioneer William Friese-Greene in 1955 and 'The Siege of Charlotte Street' from 1980.
BRISTOL ARCHIVE: ILLUSTRATED TALK
Visit Bristol Archive website HERE
Micfest!: ALL YOU EVER WANTED TO KNOW ABOUT MICROPHONES AND HOW TO USE THEM.
Peter Heaven writes…
So many productions – professionals included – suffer from sound that is less than ideal. With a huge range to choose from, and so many ways of placing them, microphones can be the nemesis of any budding sound recordist. Here are a few pointers that may help!
After the break we presented certificates to each of the winners in our recent Annual Trophy Competition.
Details about who won what and with what can be found HERE.
REAL FILM ON A REEL
With considerable help from our
special guest John Podpadec (Senior Lecturer in Film-making at University of the West of England)
we wallowed in nostalgia for the days of real film.
Every gauge was demonstrated.
18 December - Fun Filming Evening
BFVS doesn't have a Christmas party but the last few years it has had a fun filming evening. This year it was filming toys.
We divided into three groups:
The evening was successful as it resulted in three edited films that will go into the archive.
Photographs by Peter Heaven